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“Love what you have. Need what you want. Accept what you receive. Give what you can. Always remember, what goes around, comes around…” – Unknwon

“Just remember there is someone out there that is more than happy with less than what you have.” – Unknown

“The biggest failure you can have in life is making the mistake of never trying at all.” – Unknown

“Life has two rules: #1 Never quit #2 Always remember rule # 1.” - Unknown

“No one is going to hand me success. I must go out & get it myself. That’s why I’m here. To dominate. To conquer. Both the world, and myself.” - UnknownIn the end, it's not going to matter how many breaths you took, but how many moments took your breath away

“Don't cry because it's over, smile because it happened.”

― Dr. Seuss

“I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”

“You've gotta dance like there's nobody watching,

Love like you'll never be hurt,

Sing like there's nobody listening,

And live like it's heaven on earth.”

The happiest of people don't necessarily have the best of everything they just make the most of everything that comes along their way.

Be who you are and say what you feel because those who mind don't matter and those who matter don't mind. - Dr. Seuss

“You only live once, but if you do it right, once is enough.” ― Mae West

“In three words I can sum up everything I've learned about life: it goes on.”― Robert Frost

When one door closes, another opens; but we often look so long and so regretfully upon the closed door that we do not see the one that has opened for us.- Alexander Graham Bell

When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile

On reverence: Steve Jobs: “Every once in a while, I find myself in the presence of purity – purity of spirit and love – and I always cry. It always just reaches in and grabs me.”

On reality distortion: “It was in Jobs’s nature to mislead or be secretive when he felt it was warranted. But he also indulged in being brutally honest at times, telling the truths that most of us sugarcoat or suppress. Both the dissembling and the truth-telling were simply different aspects of his Nietzschean attitude that ordinary rules didn’t apply to him.”

On control: “This passion for perfection led him to indulge his instinct to control. Most hackers and hobbyists liked to customize, modify, and jack various things into their computers. To Jobs, this was a threat to a seamless end-to-end user experience.”

On respect: “Jobs was awed by Wozniak’s engineering wizardry, and Wozniak was awed by Jobs’s business drive. ‘I never wanted to deal with people and step on toes, but Steve could call up people he didn’t know and make them do things,’ Wozniak recalled. ‘He could be rough on people he didn’t think were smart, but he never treated me rudely….’”

On Buddhism: “One topic they wrestled with was [Jobs's] belief, which came from his Buddhist studies, that it was important to avoid attachment to material objects. Our consumer desires are unhealthy, he told her, and to attain enlightenment you need to develop a life of nonattachment and nonmaterialism.”

On art and technology: Steve Jobs: “I’m one of the few people who understands how producing technology requires intuition and creativity, and how producing something artistic takes real discipline.”

On leadership: “‘Steve Jobs’s ability to focus in on a few things that count, get people who get user interface right, and market things as revolutionary are amazing things,’ [Bill Gates] said.”

On drive: “Jobs told Egan, as he had a few other friends, about his premonition that he would not live a long life. That was why he was driven and impatient, he confided. ‘He felt a sense of urgency about all he wanted to get done,’ Egan later said.”

I want to talk with you, hand in hand, along the soft and holding you tightly to me, as we softly caress to be into you, and you into me. To a depth neither wants controlled tasting you, sad love quotes and poems biography inhaling your breath as we kiss Fryderyk Franciszek Chopin, the Polish composer and pianist, was born on 1 March 1810, according to the statements of the artist himself and his family, but according to his baptismal certificate, which was written several weeks after his birth, the date was 22 February. His birthplace was the village of Zelazowa Wola near Sochaczew, in the region of Mazovia, which was part of the Duchy of Warsaw. The manor-house in Zelazowa Wola belonged to Count Skarbek and Chopin's father, Mikolaj (Nicolas) Chopin, a Polonized Frenchman, was employed there as a tutor. He had been born in 1771 in Marainville in the province of Lorraine in France, but already as a child he had established contacts with the Polish families of Count Michal Pac and the manager of his estate, Jan Adam Weydlich. At the age of 16, Mikolaj accompanied them to Poland where he settled down permanently. He never returned to France and did not retain contacts with his French family but brought up his children as Poles. In 1806, Mikolaj Chopin married Tekla Justyna Krzyzanowska, who was the housekeeper for the Skarbek family at Zelazowa Wola. They had four children: three daughters Ludwika, Izabela and Emilia, and a son Fryderyk, the second child. Several months after his birth, the whole family moved to Warsaw, where Mikolaj Chopin was offered the post of French language and literature lecturer in the Warsaw Lyceum. He also ran a boarding school for sons of the gentry.

The musical talent of Fryderyk became apparent extremely early on, and it was compared with the childhood genius of Mozart. Already at the age of 7, Fryderyk was the author of two polonaises (in G minor and B flat major), the first being published in the engraving workshop of Father Cybulski. The prodigy was featured in the Warsaw newspapers, and "little Chopin" became the attraction and ornament of receptions given in the aristocratic salons of the capital. He also began giving public charity concerts. His first professional piano lessons, given to him by Wojciech Zywny (b. 1756 in Bohemia), lasted from 1816 to 1822, when the teacher was no longer able to give any more help to the pupil whose skills surpassed his own. The further development of Fryderyk's talent was supervised by Wilhelm Würfel (b.1791 in Bohemia), the renowned pianist and professor at the Warsaw Conservatory who was to offer valuable, although irregular, advice as regards playing the piano and organ.

From 1823 to 1826, Fryderyk attended the Warsaw Lyceum where his father was one of the professors. He spent his summer holidays in estates belonging to the parents of his school friends in various parts of the country. For example, he twice visited Szafarnia in the Kujawy region where he revealed a particular interest in folk music and country traditions. The young composer listened to and noted down the texts of folk songs, took part in peasant weddings and harvest festivities, danced, and played a folk instrument resembling a double bass with the village musicians; all of which he described in his letters. Chopin became well acquainted with the folk music of the Polish plains in its authentic form, with its distinct tonality, richness of rhythms and dance vigour. When composing his first mazurkas in 1825, as well as the later ones, he resorted to this source of inspiration which he kept in mind until the very end of his life.

In the autumn of 1826, Chopin began studying the theory of music, figured bass and composition at the Warsaw High School of Music, which was both part of the Conservatory and, at the same time, connected with Warsaw University. Its head was the composer Józef Elsner (b. 1769 in Silesia). Chopin, however, did not attend the piano class. Aware of the exceptional nature of Chopin's talent, Elsner allowed him, in accordance with his personality and temperament, to concentrate on piano music but was unbending as regards theoretical subjects, in particular counterpoint. Chopin, endowed by nature with magnificent melodic invention, ease of free improvisation and an inclination towards brilliant effects and perfect harmony, gained in Elsner's school a solid grounding, discipline, and precision of construction, as well as an understanding of the meaning and logic of each note. This was the period of the first extended works such as the Sonata in C minor, Variations, op. 2 on a theme from Don Juan by Mozart, the Rondo á la Krakowiak, op. 14, the Fantaisie, op. 13 on Polish Airs (the three last ones written for piano and orchestra) and the Trio in G minor, op. 8 for piano, violin and cello. Chopin ended his education at the High School in 1829, and after the third year of his studies Elsner wrote in a report: "Chopin, Fryderyk, third year student, amazing talent, musical genius".

After completing his studies, Chopin planned a longer stay abroad to become acquainted with the musical life of Europe and to win fame. Up to then, he had never left Poland, with the exception of two brief stays in Prussia. In 1826, he had spent a holiday in Bad Reinertz (modern day Duszniki-Zdrój) in Lower Silesia, and two years later he had accompanied his father's friend, Professor Feliks Jarocki, on his journey to Berlin to attend a congress of naturalists. Here, quite unknown to the Prussian public, he concentrated on observing the local musical scene. Now he pursued bolder plans. In July 1829 he made a short excursion to Vienna in the company of his acquaintances. Wilhelm Würfel, who had been staying there for three years, introduced him to the musical milieu, and enabled Chopin to give two performances in the Kärtnertortheater, where, accompanied by an orchestra, he played Variations, op.2 on a Mozart theme and the Rondo á la Krakowiak, op. 14 , as well as performing improvisations. He enjoyed tremendous success with the public, and although the critics censured his performance for its small volume of sound, they acclaimed him as a genius of the piano and praised his compositions. Consequently, the Viennese publisher Tobias Haslinger printed the Variations on a theme from Mozart (1830). This was the first publication of a Chopin composition abroad, for up to then, his works had only been published in Warsaw.

Upon his return to Warsaw, Chopin, already free from student duties, devoted himself to composition and wrote, among other pieces, two Concertos for piano and orchestra: in F minor and E minor. The first concerto was inspired to a considerable extent by the composer's feelings towards Konstancja Gladkowska, who studied singing at the Conservatory. This was also the period of the first nocturne, etudes, waltzes, mazurkas, and songs to words by Stefan Witwicki. During the last months prior to his planned longer stay abroad, Chopin gave a number of public performances, mainly in the National Theatre in Warsaw where the première of both concertos took place. Originally, his destination was to be Berlin, where the artist had been invited by Prince Antoni Radziwill, the governor of the Grand Duchy of Poznan, who had been appointed by the king of Prussia, and who was a long-standing admirer of Chopin's talent and who, in the autumn of 1829, was his host in Antonin. Chopin, however, ultimately chose Vienna where he wished to consolidate his earlier success and establish his reputation.